Showing posts with label The rubbish collectors. Show all posts
Showing posts with label The rubbish collectors. Show all posts

Sunday, 19 August 2007

Kalibata village - Jakarta



I have a movie director here at the moment making a small documentary on global warming.
I went out with her this morning to Kalibata in Jakarta, which is situated on the Ciliwung River, 3 metres below the main road bridge.

Kalibata is typical of slum areas in mega cities throughout Asia. Situated on the true left of a garbage choked river, the people are subject to flooding every year. On the opposite side of the river is a garbage dump where 20 trucks were unloading their contents. This year in February, all the people in Kalibati were evacuated and the village was covered with 6 metres of water. The bridge above had its iron railings twisted and broken by the sheer force of the river.

I spoke to Sulieman, who makes a living from retrieving water battles thrown into the river.
“ It’s hard work catching the bottles, cleaning them, and crushing them into blocks,” he said. For all this work he makes $ 0.45 a kg. The life of garbage collectors, recyclers and slum dwellers in Jakarta is very difficult, and worsening year by year with climate changes.
The Indonesian Red Cross has started a programme, community based risk reduction, to train and empower villages like this to be able to protect their lives and communities.

Tuesday, 14 August 2007

The Jakarta rubbish collectors


I went walking through the streets of Jakarta at 5.30 a.m. this morning and saw many of the rubbish collectors pulling their heavy carts through the narrow back streets. Their job is dangerous and dirty as they collect rubbish and soil. I frequently exchange greetings with the collectors and often get a smile in return. At risk from being hit or squashed by cars, trucks or motorbikes in narrow lanes, and exposed to dirt and disease, they do their work with dignity and poise.

As I walked I tried to connect my life to theirs and fathom the hardships they endure. I thought of the poem called the Invitation, which inspired Oriah Mountain Dreamer, native American Elder, May 1994, and it helped me in my thoughts.



It doesn’t interest me what you do for a living.
I want to know what you ache for, and if you dare to dream of meeting your heart’s longing.
It doesn’t interest me how old you are.
I want to know if you will risk looking like a fool for love, for dreams, for the adventure of being alive.
It doesn’t interest me what planets are squaring your moon.
I want to know if you have touched the centre of your own sorrow, if you have been opened by life’s betrayals or have shrivelled and closed from fear of further pain! I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it or fix it. I want to know if you can be with joy, mine or your own; if you can dance with wildness and let ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, be realistic or to remember the limitations of being a human.
It doesn’t interest me if the story you are telling me is true.
I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul.
I want to know if you can be faithful and therefore trustworthy. I want to know if you can see beauty even if it’s not pretty every day, and if you can source your life from God’s presence. I want to know if you can live with failure, yours and mine and still stand on the edge of a lake and shout to the silver moon, ‘Yes!’
It doesn’t interest me where you live or how much money you have.
I want to know if you can get up after the night of grief and despair, weary, bruised to the bone and do what needs to be done for the children.
It doesn’t interest me who you are, how you came to be here.
I want to know if you will stand in the centre of the fire with me and not shrink back.
It doesn’t interest me where or what or with who you have studied.
I want to know what sustains you from the inside, when all else falls away.
I want to know if you can be alone with yourself; and if you truly like the company you keep in the empty moments.

The Invitation, inspired by Oriah Mountain Dreamer, native American Elder, May 1994.